Play Grounds Theater On Site

Play Grounds: Theater on Site
Play Grounds: Theater on Site

I like to play with my food.

I like to be childlike.

And May 5th and 6th I’ll be playing in a steller event called Play Grounds: Theater on Site.

Jason Mundok and Steve Carlson, the same fine folks who produced 24 Hour Plays last year, keep turning the “make stuff happen” wheel for the artistic community in central Pennsylvania. Engaging writers, technicians and actors, Mundok and Carlson take their work to the streets. Literally. Continue reading “Play Grounds Theater On Site”

Value of Art

[box options]Today’s guest post is by producer Jason Mundok at The Wood Stove House. I enjoyed working with him on a recent project, The 24 Hour Plays and will be participating in his podcast series “Conversations” later this month. Enjoy![/box]

The Value of Art

At the Wood Stove House, we have immersed ourselves in the performing arts over the past few years. We’ve hosted house concerts, helped promote and book public concerts, produced theater events, provided promotional and logistical support for other theater events, and produced several recordings for wonderful regional musicians.

One of the big questions that we grapple with when engaging in any of these projects is the idea of value. What is the value of what we do and how much should we be charging for it?

A Tightrope Walk

Continue reading “Value of Art”

24 Hour Plays: Lessons in Fear, Control, and Joy

Why dive into a creative process involving fear, anxiety, the unknown, the uncontrollable?

The payoff is incredible. 

This past weekend, my wife and I participated in an event called 24 Hour Plays. Here’s the rundown of the events that transpire in a mere day at one of these creative explosions:

It’s an exercise in organized insanity in which writers, directors, and actors put their skill sets to the test: writing a short play, casting the play, directing the play, and performing the play in the time span of a mere 24 hours.

+Perfectionism. Most creatives are prone to it. It’s rarely helpful. For some of us, it keeps us from ever producing or sharing our creation. Within the time frame of 24 hours, perfectionism cannot dominate. There’s just no time to belabour the minutiae.

Bye bye non-friend.

+ Camaraderie. My creative process at my job usually involves training people to sell remodeling products to homeowners. It is creative, but I didn’t realize how much I’d missed the process of putting up an actual show. I marveled at the fact that the pros we worked with all spoke the same language. We understood the basics of each of our job functions and treated one another with respect. There’s such pleasure in rubbing shoulders with other like-minded creatives.

+Fear. 24 Hour Plays is skydiving. My mind’s conversation with myself went something like this: “8:30 AM. Here’s your script that was just written last night. You’ll play James. We’ll rehearse it today, have it memorized tonight for the show. By the way, we’re sold out. There’s gonna be people here asking for a show. So you gotta get this right. Did I say it has to be memorized? It does. Have fun!” When my wife and I were deciding if we should/should not do this, we realized the only reason we wouldn’t do it was because we were terrified. Not a good enough reason. We’re so glad we pushed through that fear.

+Payoff. Rachel Stevens, a former producer of The 24 Hour Plays: Old Vic New Voices summarizes it well.

You always see the most incredible personal and professional growth take place in the artists involved.  There’s great confidence to be taken from realising that, if you can do this project, you can do pretty much anything.

Agreed 100%.

I’d do this whole experience all over again for that very reason. It exhilarating to do something that, initially, seems impossible and slightly terrifying.

What’s stopping us from doing that thing we’ve always said we’d do? Why not push the envelope this week and write that piece, finish that project, or call that person?

Someone needs your creativity today.